Selasa, 18 Agustus 2015

Ebook Queer Threads: Crafting Identity and Community, by Todd Oldham

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Queer Threads: Crafting Identity and Community, by Todd Oldham

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Queer Threads: Crafting Identity and Community, by Todd Oldham

Review

"Queer Threads brings together several strands (ahem): there’s an examination of LGBTQ culture and identity, an exploration of the traditions of craft, and an in-depth look at some of the most talented artists and makers in the field today. The book is made up of 30 artist interviews where thinkers and makers have investigated how ‘queerness’ has informed their work. There are fabulous photographs depicting each makers’ work in a joyful celebration of colour, talent, contemporary craft and identity." ―Home & Interiors Scotland

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About the Author

John Chaich is a curator, designer, and writer. A left-handed Capricorn whose birthday falls between those of Dolly Parton, Dr. Martin Luther King Jr., Eartha Kitt, and Charo, he lives in Upper Manhattan with his husband, two dogs, two cats, and a lot of hair.

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Product details

Hardcover: 192 pages

Publisher: AMMO Books (April 1, 2017)

Language: English

ISBN-10: 1623261058

ISBN-13: 978-1623261054

Product Dimensions:

8.2 x 1 x 10.2 inches

Shipping Weight: 2.2 pounds (View shipping rates and policies)

Average Customer Review:

5.0 out of 5 stars

1 customer review

Amazon Best Sellers Rank:

#571,351 in Books (See Top 100 in Books)

there are thousands of other amazing fabric artists who happen to be queer whos work needs toshared via a collection. one name - danny mansmith.lovely book! inspiring!

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Minggu, 16 Agustus 2015

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File Size: 4703 KB

Print Length: 312 pages

Publisher: For Dummies; 2 edition (February 12, 2019)

Publication Date: February 12, 2019

Sold by: Amazon Digital Services LLC

Language: English

ASIN: B07NRKD9L6

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Minggu, 21 Juni 2015

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China Forever: The Shaw Brothers and Diasporic Cinema (Pop Culture and Politics Asia PA)

Review

"This instructive book will be a pleasure for seasoned scholars and amateurs of Hong King cinema alike. Extremely useful for Asian cinema courses, this first book-length study of the Shaw Brothers--who were pioneers in the Chinese language and trans-Asian commercial film industry--provides valuable cultural history and global context." --Tonglin Lu, author of Confronting Modernity in the Cinemas in Taiwan and Mainland China"An impressive, in-depth inquiry into the historical mutations, cultural innovations, and political implications of the rise and development of the Shaw Brothers’ movie empire. Of the many volumes on Hong Kong movie industries, this is the first to focus solely on the history of the Shaw Brothers." --David Der-wei Wang, author of The Monster That Is History: History, Violence, and Fictional Writing in Twentieth-Century China

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Book Description

Started in Shanghai in the 1920s, the legendary Shaw Brothers Studio began to dominate the worldwide Chinese film market after moving its production facilities to Hong Kong in 1957. Drawing together scholars from such diverse disciplines as history, cultural geography, and film studies, China Forever addresses how the Shaw Brothers raised the production standards of Hong Kong cinema, created a pan-Chinese cinema culture and distribution network, helped globalize Chinese-language cinema, and appealed to the cultural nationalism of the Chinese who found themselves displaced and unsettled in many parts of the world during the twentieth century.Contributors are Timothy P. Barnard, Cheng Pei-pei, Ramona Curry, Poshek Fu, Lane J. Harris, Law Kar, Sundiata Keita Cha-Jua, Lilly Kong, Siu Leung Li, Paul G. Pickowicz, Fanon Che Wilkins, Wong Ain-ling, and Sai-shing Yung.

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Product details

Series: Pop Culture and Politics Asia PA

Paperback: 280 pages

Publisher: University of Illinois Press (July 18, 2008)

Language: English

ISBN-10: 0252075005

ISBN-13: 978-0252075001

Product Dimensions:

6 x 0.7 x 9 inches

Shipping Weight: 1 pounds (View shipping rates and policies)

Average Customer Review:

4.3 out of 5 stars

6 customer reviews

Amazon Best Sellers Rank:

#1,515,815 in Books (See Top 100 in Books)

The Shaw Brothers is one of the most important film studios in the history of Asian cinema. Their influence on pan-Asian entertainment cannot be overstated. Though Celestial Pictures bought the rights to the entire Shaw Brothers film library (US$84 mil) and started releasing them in 2002 (for years before people had to rely on bootlegs to watch their films), it took until 2008 for an English-language book dedicated to this studio to be published here in the States (The Shaw Screen: A Preliminary Study was released earlier in Hong Kong by the HKFA.)"China Forever: The Shaw Brothers and Diasporic Cinema" states that "This is the first English-language book devoted to the study of a single Chinese-language film studio in a global historical context." It is far from definitive with a few gargantuan omissions. In the collection of essays it has not one chapter dedicated on either of the two most famous of the Shaw Brothers oeuvre - the Mandarin wuxia and kung fu movies. Poshek Fu missed a golden opportunity with this mistake. This book also completely ignores the exploitation cinema that included such cult hits as Black Magic, Boxer's Omen and Killer Snakes. All three of these genres were crucial in transnational sales. However for students of Hong Kong cinema and especially for interest of those in the Shaw Brothers this is still a valuable book with several excellent essays and a couple of questionable value.When dealing with collections of short essays the quality of the whole should be determined by the editor. Unfortunately, when the introduction by Editor Poshek Fu contains a few errors and information that does not coincide with other authors this could be construed as an inauspicious foreshadow of things to come. He makes a couple of minutia type errors like stating the founding of Tianyi is 1925 as opposed to the other authors information and the Shaw Brothers website of 1924 (he also translate Tianyi as Number One instead of the authors translation of Unique). He also makes more egregious mistakes like dating Five Fingers of Death at 1965 (it was 1972) and stating on Cheng Pei-pei "After a long retirement from acting, she recently returned to the screen with the role of Jade Fox in Ang Lee's Crouching Tiger, Hidden Dragon." He makes it seem that she just recently came back to acting after a long retirement, when in fact (and even mentioned in her essay) that she came back in Painted Faces (1988) and even had over 10 acting appearances between that film and Crouching Tiger, Hidden Dragon. Fortunately this is not indicative of the majority of the material.There are several fascinating chapters on the Shaws Cantonese cinema, their musicals, their wenyi (loosely known as melodrama) films and their malay films - most of which are not on DVD. These discuss the importance of the dialect cinema, the Shaws rival company MP & GI and the history of The Shaw Brothers - how they thought global and acted locally. There is so much useful information on the earlier period of the Shaw Brothers, though there remains much to be learned from the unreleased films. Then there are two chapters that mostly focus on a specific film: one on Hong Kong Nocturne (1967) and Love Eterne (1963) - I will probably find these more worthwhile after watching those movies.There are two out-of-place chapters with the first being "Black audiences, blaxploitation, and Kung Fu films" which has very little to discuss on the Shaw Brothers (though a nuanced look at blaxploitation) and focuses more on Golden Harvest and Bruce Lee. The second "Shaw Brothers Cinema and the Hip-Hop Imagination" which despite its title has very little to do with the titular studio except for the movie "The 36th Chamber of Shaolin" and its relation to the hip-hop group Wu-Tang Clan. Both of these could be useful in other collections, but there inclusion here seems problematic because of the exclusion of the genres that I mentioned earlier.Luckily, the final chapter is an excellent, albeit too short essay by Hong Kong actress Cheng Pei-pei: "Reminiscences of the Life of an Actress in Shaw Brothers' Movietown" which pretty much describes the chapter. Her feelings are so positive that they are infectious, even though she talks about several suicides that happened on Movietown (Qin Jian and Li Ting) that there is darker side to this movie studio left unexplored by this book.While not perfect, I expect many fans of the Shaw Brothers to want to add this volume to their library. Several of the chapters are worth having for reference and rereading. However, there is still an opening for an English language edition on the Shaw Brothers to be much more inclusive and cohesive. Now who is going to write it?

This book is a delightful and informative insight into the world of the Shaw Brothers Studio. Besides being synonymous with kung fu films, many of the chapters include a fascinating history of the Shaw family and their beginnings and rise in the entertainment industry. At the peak of their globalization, their film output was numerous throughout China and Southeast Asia. One of the chapters I found noteworthy was a successful film the studio made in the 1960s called “The Love Eterne.” Based from an opera, the film’s plot and characters not only was made interesting cinematically but also touched millions of moviegoers. Although many, such as myself, would find the kung fu chapters the highlight of the book (and since most of us remembered watching the Shaw Brothers kung fu films on television on a weekend afternoon), the chapters not discussing kung fu are just as important and significant. I highly recommend this book. It is a fascinating study and read, particularly for readers who are interested in learning about global filmmaking and cinema. And be sure to read the very last chapter! Actress Cheng Pei-Pei (from the King Hu classic “Come Drink with Me”) adds her memorable moments of her early days working at the Shaw Brothers Studios.

Great read, very academic. Could be a textbook for film.

I'm a Shaw fan and old school martial arts films. And this book does a great job in providing the histories of the Run Run Shaw productions.

well researched book interesting history how the shaw brothers started. but did expect to have complete film list of their many films so i could try to find and buy.bit heavy going, not a film guide but a good history book of early cinema in chna.

My boyfriend loved it

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Rabu, 03 Juni 2015

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Paperback

Publisher: Nissan; 4th edition (2000)

ASIN: B000YFFR9U

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Rabu, 27 Mei 2015

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Product details

Paperback: 262 pages

Publisher: Accounting Tools; 3 edition (February 28, 2017)

Language: English

ISBN-10: 1938910826

ISBN-13: 978-1938910821

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Titan: The Life of John D. Rockefeller, Sr., by Ron Chernow

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Ron Chernow, whose previous books have taken on the Morgan and Warburg financial empires, now turns his attention to the patriarch of the Rockefeller dynasty. John D. was history's first recorded billionaire and one of the most controversial public figures in America at the turn of the 20th century. Standard Oil--which he always referred to as the result of financial "cooperation," never as a "cartel" or a "monopoly"--controlled at its peak nearly 90 percent of the United States oil industry. Rockefeller drew sharp criticism, as well as the attention of federal probes, for business practices like underpricing his competitors out of the market and bribing politicians to secure his dominant market share. While Chernow amply catalogs Rockefeller's misdeeds, he also presents the tycoon's human side. Making use of voluminous business correspondence, as well as rare transcripts of interviews conducted when Rockefeller was in his late 70s and early 80s, Chernow is able to present his subject's perspective on his own past, re-creating a figure who has come down to us as cold and unfeeling as a shrewd, dryly humorous man who had no inner misgivings about reconciling his devout religious convictions with his fiscal acquisitiveness. The story of John D. Rockefeller Sr. is, in many ways, the story of America between the Civil War and the First World War, and Chernow has told that story in magnificently fascinating depth and style.

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From Library Journal

Industry consolidation, enormous new wealth, journalistic muckraking, government antitrust. Sound familiar? Reviewers enthusiastically praised this monumental work about the founder of Standard Oil, which serves as a useful reminder that what happens today in the business world often has strong roots in the past. Copyright 1999 Reed Business Information, Inc.

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Product details

Hardcover: 800 pages

Publisher: Random House; 1st edition (May 5, 1998)

Language: English

ISBN-10: 0679438084

ISBN-13: 978-0679438083

Product Dimensions:

7 x 2 x 10 inches

Shipping Weight: 3 pounds (View shipping rates and policies)

Average Customer Review:

4.6 out of 5 stars

541 customer reviews

Amazon Best Sellers Rank:

#52,725 in Books (See Top 100 in Books)

Though I read and enjoyed Chernow’s biographies of Washington, Hamilton and Grant, I found this biography of Rockefeller his best. I did not expect that. The bland grayish cover, which shows a grim, almost sadistic-looking Rockefeller against a sterile cityscape, does not inspire a potential reader to think of “enjoyable read.” Likewise, the pre-book knowledge I had of Rockefeller’s founding of Standard Oil led me to think that this biography would involve a lot of dry reading about Rockefeller’s financial dealings. But I was completely wrong. This is a gripping story, much of it about an America we now live in but know little about the origins.Chernow is, as usual, an excellent stylist. The book can roughly be divided into two parts: 1) how Rockefeller got the largest fortune in American history at the time and 2) how Rockefeller gave most of that away in philanthropic work. He drove thousands of small businesses out of the market and put multiple thousands of workers out of work using ruthless and cutthroat techniques, many (not all) of which were legal at the time. Cooperation with him was always better than competition and woe to anyone who did not agree. His personality is fascinating and Chernow does an exceptionally good job at bringing that out. In fact, Rockefeller’s personality and character are central themes that run throughout the book – how this pious Baptist who thought God wanted him to make as much money as possible so he could give it away could go through life with massive repression and apparent equanimity. His (and his son’s) philanthropy is incredible, from founding the University of Chicago to Rockefeller University to the Rockefeller Foundation. Millions for this, multiple millions for that in late 19th century and early 20th century money! It is mind-blowing. The book begins with Rockefeller’s father, a patent medicine quack showman who kept two separate families and ends with Rockefeller giving more money to advance real medicine than any individual in history.The book expands the reader’s consciousness and is a fascinating and enjoyable read at the same time. Though Chernow’s Hamilton gets all the press these days, I learned more from this book about America and enjoyed it more. In my view it is a pinnacle of biographical writing - by any author.

This is the third book by Ron Chernow that I have read. Last year I read his biography of George Washington followed by his excellent work on Alexander Hamilton. His latest books led me to one of his earliest biographies. What they all have in common is a personal picture of Americans who have had a fundamental impact on this nation for good or ill. I wasn't sure how I would feel about a book that dealt with the life of John D. Rockefeller. I have to admit, as I began this book, that I had preconceived attitudes about men like Rockefeller especially in the context of the 2008 recession. Mr. Chernow points out so well that there is both a good and bad John D. Rockefeller who had so much to do with the creation of an Industrial American Economy in the Post Civil War Era. There is the greed of the monopolist who attempted to eliminate competition without regard to the untold harm it could cause to our economic prosperity. Then you see a man who was undoubtedly the wealthiest man in America committed to giving away the wealth he had accumulated to improve the society that had allowed such disparity in wealth. Yes, John D. Rockefeller brought philanthropy into our economic vernacular . There is a dichotomy here that is very difficult to judge. If we advocate a laissez-faire free market economy, such disparity seems to me is inevitable. In this book I saw both good and evil in this man. Mr. Chernow helps you to consider what kind of cooperation is necessary in a free democracy.

Let me begin with the fact that Chernow's composition and writing style are outstanding. The man has great talent and an obvious intellect.The book begins with a bang and builds to a crescendo- at first. The development of Rockefeller's origins, early life and ascendancy to the worlds richest man, and the captain of American Industry is breathtaking. The detail about his massive and discrete giving are awe inspiring. I couldn't put the book down and burned through the first 300 pages in a few days. Then it happened: Chernow's hatred of Rockefeller's Evangelical Christian world view became too much for him to bear and the book sags into leftist drivel and sanctimony by page +/- 325. It just gets worse from there. It becomes pretentious, and snippy- slouching toward all out hatred for Rockefeller's success springing from the Christian doctrines of self denial, industry, thrift and generosity.While Chernow treats Rockefeller's Bible Based World View with fairness and thoroughness in the beginning, and attributes Rockefeller's genuineness and success to Rockefeller's Christian convictions, the envy and contempt of the author bleeds through and stains the rest of the book.The reader is treated to constant haranguing and insults directed toward Christianity generally, and Rockefeller's practition thereof specifically.Rockefeller's life was nothing short of overwhelming. His candor, authenticity, tireless commitment to Abolition, Education, and Temperance all bubble from the wellspring of his Christian convictions. His detractors such as Ida Tarbell and other angry socialists do as much to burnish Rockefeller's reputation as his own good works.I was taught as a youth to "hate" the "Robber Barrons" (another totally fake Identifier of the original American builder/makers) and dismiss Rockefeller as an evil greedy man. I was lied to! I have a new and great admiration for this authentic and invaluable American hero- thanks to Chernow's book, and my trained critical thinker's discipline to consider the motive of all editorials.

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Rabu, 06 Mei 2015

Ebook Download Zorba the Greek, by Nikos Kazantzakis

Ebook Download Zorba the Greek, by Nikos Kazantzakis

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Zorba the Greek, by Nikos Kazantzakis

Zorba the Greek, by Nikos Kazantzakis


Zorba the Greek, by Nikos Kazantzakis


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Zorba the Greek, by Nikos Kazantzakis

About the Author

Nikos Kazantzakis was born in 1883 in Herakleion on the island of Crete. He didn't start writing novels until he was almost 60 and completed his most famous work, Zorba the Greek, in 1946. Other novels include Freedom and Death (1953) and The Last Temptation (1954), which the Vatican placed on the Index. Nikos Kazantzakis finally settled in Antibes with his second wife, and died there from leukaemia in October 1957.

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Product details

Paperback: 352 pages

Publisher: Faber & Faber; Later Printing edition (August 4, 2016)

Language: English

ISBN-10: 0571323278

ISBN-13: 978-0571323272

Product Dimensions:

5 x 7.8 inches

Shipping Weight: 9.1 ounces (View shipping rates and policies)

Average Customer Review:

4.2 out of 5 stars

182 customer reviews

Amazon Best Sellers Rank:

#2,232,743 in Books (See Top 100 in Books)

Zorba is “The Most Interesting Man in the World” advertising campaign for Dos Equis beer reached back to Zorba for casting. He is a man’s man - muscular, musical, musing (but not too much) and a Lothario curls into a ball and snoozes at a moment’s notice. Rudyard Kipling’s “If” must have been echoing in Kazantzakis’ when creating his title character. Zorba certainly kept his head about him when others were losing theirs.I approached this book from two wildly uninformed angles. The first was from either having seen, or believed I had seen, the Anthony Quinn version of Zorba the Greek in the 1960s movie. A swarthy, swashbuckling Mediterranean was what I remembered. In high school I struggled through another Nikos Kazantzakis novel but remembered it as “great literature”.No matter how I came to it, Zorba is a wonderful, wonderful read with a story and characters which etch themselves into your soul. The narrator sets out on a journey to resurrect a mine on the island of Crete. Early on he picks up a companion- the older and far more experienced Zorba - to help run the mine. Sancho Panza step aside (check the reference).Zorba invades the narrator’s physical and psychological space. In their first meeting Zorba suggests he can work at anything - after all he has arms, legs and a head. Oh, and he can also smell minerals in the earth. And, a good thing since the narrator is headed to Crete to hire a crew to mine lignite.Zorba disrupts the narrator’s obsession with books. The spoken word, not just the written word, allow the writer/narrator to develop. Zorba’s lusts - food, work, sex - are as contagious as they can possibly be. The narrator doesn’t transform to become Zorba, he adapts to become a better, fuller version of himself.Kazantzakis provides plot, characters, and Buddhist ruminations. Indeed, Zorba the Greek was written when existentialism was in full bloom. (The author came in second by one vote in Nobel Prize voting to Albert Camus in 1957). Most existential writing is anxious, verging on desperation and ennui. Zorba the Greek is life - some triumphs, more tragedies with a constant movement forward. Change happens.

Peter Bien's translation is excellent. The task of the translator is no small task, and he nailed it. Such a poetic translation. Highly recommend. Really enjoyed reading this book. I spend about 2 weeks in Greece each year and studied on Crete, so this book was easier for me to understand than probably the average reader.

The Greek version of siddhartha or zen and the art of motorocycle maintenance. A more modern spiritual journey. As good if not better than the movie.

Perhaps it is just me but I found the new translation difficult to relate and follow. Apparently the previous translation 'adapted' the Kazantzakis' text from French to English (not the original Greek), with omissions of some of the non-reader friendly parts. I ended up comparing the first few pages of both of the translations and I decided to stick with that of Carl Wildman. There are indeed some omissions in the latter, though. For instance, Wildman text does not have a prologue, while the new version does; so on and so forth.

One wants to put Zorba in the pantheon of great literary characters, but it's not needed, Zorba has already strode there by himself with giant steps that no one book can contain, joining Huck Finn, Captain Ahab, Don Quixote, Scrooge, Sherlock Holmes and all characters that live beyond the writing. In a wharfside cafe Zorba on first sight asks the bookish narrator, who's trying to crawl out beyond the written page and open a lignite mine, where he's going. The narrator answers "Crete". Zorba asks "taking me with you". "Why what can I do with you", says the narrator. Zorba replies "Why!Why! Can't a man do anything without a why? Just like that because he wants to?" That's the narrator and reader's introduction to Zorba. Words of brash honesty that define Zorba. A sixty year old wiith the enthusiasm and eyes of a child. He is not full of life, he is life itself, a dynamo full of contradictions, gulping in every breath. In the narrator's words "A living heart, a large voracious mouth, a great brute soul, not yet severed from the earth." Every experience and every day is lived as new by Zorba. Drinking wine, Zorba suddenly asks "--whatever is this red water--. You drink the red juice and lo and behold your soul grows too big for your carcass, it challanges god to a fight." Zorba lives on after the book is finished, shaming hesitant half steps, as he strides through the mind.

Having been introduced to this wonderful book with the Wildman translation, I must say that I prefer it to Bien's effort. This new translation might be more accurate but it has a stop and start feel to it for me. I do like Bien's rendition of Madame Hortense though.

Almost as riveting entertainment as the movie!Suggest watching the movie first, then reading the book.Enriches the experience by providing a background.Poli Kala!

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