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Review

"This instructive book will be a pleasure for seasoned scholars and amateurs of Hong King cinema alike. Extremely useful for Asian cinema courses, this first book-length study of the Shaw Brothers--who were pioneers in the Chinese language and trans-Asian commercial film industry--provides valuable cultural history and global context." --Tonglin Lu, author of Confronting Modernity in the Cinemas in Taiwan and Mainland China"An impressive, in-depth inquiry into the historical mutations, cultural innovations, and political implications of the rise and development of the Shaw Brothers’ movie empire. Of the many volumes on Hong Kong movie industries, this is the first to focus solely on the history of the Shaw Brothers." --David Der-wei Wang, author of The Monster That Is History: History, Violence, and Fictional Writing in Twentieth-Century China

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Book Description

Started in Shanghai in the 1920s, the legendary Shaw Brothers Studio began to dominate the worldwide Chinese film market after moving its production facilities to Hong Kong in 1957. Drawing together scholars from such diverse disciplines as history, cultural geography, and film studies, China Forever addresses how the Shaw Brothers raised the production standards of Hong Kong cinema, created a pan-Chinese cinema culture and distribution network, helped globalize Chinese-language cinema, and appealed to the cultural nationalism of the Chinese who found themselves displaced and unsettled in many parts of the world during the twentieth century.Contributors are Timothy P. Barnard, Cheng Pei-pei, Ramona Curry, Poshek Fu, Lane J. Harris, Law Kar, Sundiata Keita Cha-Jua, Lilly Kong, Siu Leung Li, Paul G. Pickowicz, Fanon Che Wilkins, Wong Ain-ling, and Sai-shing Yung.

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Product details

Series: Pop Culture and Politics Asia PA

Paperback: 280 pages

Publisher: University of Illinois Press (July 18, 2008)

Language: English

ISBN-10: 0252075005

ISBN-13: 978-0252075001

Product Dimensions:

6 x 0.7 x 9 inches

Shipping Weight: 1 pounds (View shipping rates and policies)

Average Customer Review:

4.3 out of 5 stars

6 customer reviews

Amazon Best Sellers Rank:

#1,515,815 in Books (See Top 100 in Books)

The Shaw Brothers is one of the most important film studios in the history of Asian cinema. Their influence on pan-Asian entertainment cannot be overstated. Though Celestial Pictures bought the rights to the entire Shaw Brothers film library (US$84 mil) and started releasing them in 2002 (for years before people had to rely on bootlegs to watch their films), it took until 2008 for an English-language book dedicated to this studio to be published here in the States (The Shaw Screen: A Preliminary Study was released earlier in Hong Kong by the HKFA.)"China Forever: The Shaw Brothers and Diasporic Cinema" states that "This is the first English-language book devoted to the study of a single Chinese-language film studio in a global historical context." It is far from definitive with a few gargantuan omissions. In the collection of essays it has not one chapter dedicated on either of the two most famous of the Shaw Brothers oeuvre - the Mandarin wuxia and kung fu movies. Poshek Fu missed a golden opportunity with this mistake. This book also completely ignores the exploitation cinema that included such cult hits as Black Magic, Boxer's Omen and Killer Snakes. All three of these genres were crucial in transnational sales. However for students of Hong Kong cinema and especially for interest of those in the Shaw Brothers this is still a valuable book with several excellent essays and a couple of questionable value.When dealing with collections of short essays the quality of the whole should be determined by the editor. Unfortunately, when the introduction by Editor Poshek Fu contains a few errors and information that does not coincide with other authors this could be construed as an inauspicious foreshadow of things to come. He makes a couple of minutia type errors like stating the founding of Tianyi is 1925 as opposed to the other authors information and the Shaw Brothers website of 1924 (he also translate Tianyi as Number One instead of the authors translation of Unique). He also makes more egregious mistakes like dating Five Fingers of Death at 1965 (it was 1972) and stating on Cheng Pei-pei "After a long retirement from acting, she recently returned to the screen with the role of Jade Fox in Ang Lee's Crouching Tiger, Hidden Dragon." He makes it seem that she just recently came back to acting after a long retirement, when in fact (and even mentioned in her essay) that she came back in Painted Faces (1988) and even had over 10 acting appearances between that film and Crouching Tiger, Hidden Dragon. Fortunately this is not indicative of the majority of the material.There are several fascinating chapters on the Shaws Cantonese cinema, their musicals, their wenyi (loosely known as melodrama) films and their malay films - most of which are not on DVD. These discuss the importance of the dialect cinema, the Shaws rival company MP & GI and the history of The Shaw Brothers - how they thought global and acted locally. There is so much useful information on the earlier period of the Shaw Brothers, though there remains much to be learned from the unreleased films. Then there are two chapters that mostly focus on a specific film: one on Hong Kong Nocturne (1967) and Love Eterne (1963) - I will probably find these more worthwhile after watching those movies.There are two out-of-place chapters with the first being "Black audiences, blaxploitation, and Kung Fu films" which has very little to discuss on the Shaw Brothers (though a nuanced look at blaxploitation) and focuses more on Golden Harvest and Bruce Lee. The second "Shaw Brothers Cinema and the Hip-Hop Imagination" which despite its title has very little to do with the titular studio except for the movie "The 36th Chamber of Shaolin" and its relation to the hip-hop group Wu-Tang Clan. Both of these could be useful in other collections, but there inclusion here seems problematic because of the exclusion of the genres that I mentioned earlier.Luckily, the final chapter is an excellent, albeit too short essay by Hong Kong actress Cheng Pei-pei: "Reminiscences of the Life of an Actress in Shaw Brothers' Movietown" which pretty much describes the chapter. Her feelings are so positive that they are infectious, even though she talks about several suicides that happened on Movietown (Qin Jian and Li Ting) that there is darker side to this movie studio left unexplored by this book.While not perfect, I expect many fans of the Shaw Brothers to want to add this volume to their library. Several of the chapters are worth having for reference and rereading. However, there is still an opening for an English language edition on the Shaw Brothers to be much more inclusive and cohesive. Now who is going to write it?

This book is a delightful and informative insight into the world of the Shaw Brothers Studio. Besides being synonymous with kung fu films, many of the chapters include a fascinating history of the Shaw family and their beginnings and rise in the entertainment industry. At the peak of their globalization, their film output was numerous throughout China and Southeast Asia. One of the chapters I found noteworthy was a successful film the studio made in the 1960s called “The Love Eterne.” Based from an opera, the film’s plot and characters not only was made interesting cinematically but also touched millions of moviegoers. Although many, such as myself, would find the kung fu chapters the highlight of the book (and since most of us remembered watching the Shaw Brothers kung fu films on television on a weekend afternoon), the chapters not discussing kung fu are just as important and significant. I highly recommend this book. It is a fascinating study and read, particularly for readers who are interested in learning about global filmmaking and cinema. And be sure to read the very last chapter! Actress Cheng Pei-Pei (from the King Hu classic “Come Drink with Me”) adds her memorable moments of her early days working at the Shaw Brothers Studios.

Great read, very academic. Could be a textbook for film.

I'm a Shaw fan and old school martial arts films. And this book does a great job in providing the histories of the Run Run Shaw productions.

well researched book interesting history how the shaw brothers started. but did expect to have complete film list of their many films so i could try to find and buy.bit heavy going, not a film guide but a good history book of early cinema in chna.

My boyfriend loved it

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PDF Download 2000 Nissan XTerra Owners Manual

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Paperback

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ASIN: B000YFFR9U

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About the Author

Steven Bragg, CPA, is one of the top-selling and most prolific accounting authors in the world. He is the author of more than 100 business books and courses, including Lean Accounting, Closing the Books, and The New Controller Guidebook. He has been the CFO or controller of both public and private companies, and has been a consulting manager with Ernst & Young and an auditor with Deloitte & Touche.

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Product details

Paperback: 262 pages

Publisher: Accounting Tools; 3 edition (February 28, 2017)

Language: English

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Amazon.com Review

Ron Chernow, whose previous books have taken on the Morgan and Warburg financial empires, now turns his attention to the patriarch of the Rockefeller dynasty. John D. was history's first recorded billionaire and one of the most controversial public figures in America at the turn of the 20th century. Standard Oil--which he always referred to as the result of financial "cooperation," never as a "cartel" or a "monopoly"--controlled at its peak nearly 90 percent of the United States oil industry. Rockefeller drew sharp criticism, as well as the attention of federal probes, for business practices like underpricing his competitors out of the market and bribing politicians to secure his dominant market share. While Chernow amply catalogs Rockefeller's misdeeds, he also presents the tycoon's human side. Making use of voluminous business correspondence, as well as rare transcripts of interviews conducted when Rockefeller was in his late 70s and early 80s, Chernow is able to present his subject's perspective on his own past, re-creating a figure who has come down to us as cold and unfeeling as a shrewd, dryly humorous man who had no inner misgivings about reconciling his devout religious convictions with his fiscal acquisitiveness. The story of John D. Rockefeller Sr. is, in many ways, the story of America between the Civil War and the First World War, and Chernow has told that story in magnificently fascinating depth and style.

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From Library Journal

Industry consolidation, enormous new wealth, journalistic muckraking, government antitrust. Sound familiar? Reviewers enthusiastically praised this monumental work about the founder of Standard Oil, which serves as a useful reminder that what happens today in the business world often has strong roots in the past. Copyright 1999 Reed Business Information, Inc.

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Product details

Hardcover: 800 pages

Publisher: Random House; 1st edition (May 5, 1998)

Language: English

ISBN-10: 0679438084

ISBN-13: 978-0679438083

Product Dimensions:

7 x 2 x 10 inches

Shipping Weight: 3 pounds (View shipping rates and policies)

Average Customer Review:

4.6 out of 5 stars

541 customer reviews

Amazon Best Sellers Rank:

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Though I read and enjoyed Chernow’s biographies of Washington, Hamilton and Grant, I found this biography of Rockefeller his best. I did not expect that. The bland grayish cover, which shows a grim, almost sadistic-looking Rockefeller against a sterile cityscape, does not inspire a potential reader to think of “enjoyable read.” Likewise, the pre-book knowledge I had of Rockefeller’s founding of Standard Oil led me to think that this biography would involve a lot of dry reading about Rockefeller’s financial dealings. But I was completely wrong. This is a gripping story, much of it about an America we now live in but know little about the origins.Chernow is, as usual, an excellent stylist. The book can roughly be divided into two parts: 1) how Rockefeller got the largest fortune in American history at the time and 2) how Rockefeller gave most of that away in philanthropic work. He drove thousands of small businesses out of the market and put multiple thousands of workers out of work using ruthless and cutthroat techniques, many (not all) of which were legal at the time. Cooperation with him was always better than competition and woe to anyone who did not agree. His personality is fascinating and Chernow does an exceptionally good job at bringing that out. In fact, Rockefeller’s personality and character are central themes that run throughout the book – how this pious Baptist who thought God wanted him to make as much money as possible so he could give it away could go through life with massive repression and apparent equanimity. His (and his son’s) philanthropy is incredible, from founding the University of Chicago to Rockefeller University to the Rockefeller Foundation. Millions for this, multiple millions for that in late 19th century and early 20th century money! It is mind-blowing. The book begins with Rockefeller’s father, a patent medicine quack showman who kept two separate families and ends with Rockefeller giving more money to advance real medicine than any individual in history.The book expands the reader’s consciousness and is a fascinating and enjoyable read at the same time. Though Chernow’s Hamilton gets all the press these days, I learned more from this book about America and enjoyed it more. In my view it is a pinnacle of biographical writing - by any author.

This is the third book by Ron Chernow that I have read. Last year I read his biography of George Washington followed by his excellent work on Alexander Hamilton. His latest books led me to one of his earliest biographies. What they all have in common is a personal picture of Americans who have had a fundamental impact on this nation for good or ill. I wasn't sure how I would feel about a book that dealt with the life of John D. Rockefeller. I have to admit, as I began this book, that I had preconceived attitudes about men like Rockefeller especially in the context of the 2008 recession. Mr. Chernow points out so well that there is both a good and bad John D. Rockefeller who had so much to do with the creation of an Industrial American Economy in the Post Civil War Era. There is the greed of the monopolist who attempted to eliminate competition without regard to the untold harm it could cause to our economic prosperity. Then you see a man who was undoubtedly the wealthiest man in America committed to giving away the wealth he had accumulated to improve the society that had allowed such disparity in wealth. Yes, John D. Rockefeller brought philanthropy into our economic vernacular . There is a dichotomy here that is very difficult to judge. If we advocate a laissez-faire free market economy, such disparity seems to me is inevitable. In this book I saw both good and evil in this man. Mr. Chernow helps you to consider what kind of cooperation is necessary in a free democracy.

Let me begin with the fact that Chernow's composition and writing style are outstanding. The man has great talent and an obvious intellect.The book begins with a bang and builds to a crescendo- at first. The development of Rockefeller's origins, early life and ascendancy to the worlds richest man, and the captain of American Industry is breathtaking. The detail about his massive and discrete giving are awe inspiring. I couldn't put the book down and burned through the first 300 pages in a few days. Then it happened: Chernow's hatred of Rockefeller's Evangelical Christian world view became too much for him to bear and the book sags into leftist drivel and sanctimony by page +/- 325. It just gets worse from there. It becomes pretentious, and snippy- slouching toward all out hatred for Rockefeller's success springing from the Christian doctrines of self denial, industry, thrift and generosity.While Chernow treats Rockefeller's Bible Based World View with fairness and thoroughness in the beginning, and attributes Rockefeller's genuineness and success to Rockefeller's Christian convictions, the envy and contempt of the author bleeds through and stains the rest of the book.The reader is treated to constant haranguing and insults directed toward Christianity generally, and Rockefeller's practition thereof specifically.Rockefeller's life was nothing short of overwhelming. His candor, authenticity, tireless commitment to Abolition, Education, and Temperance all bubble from the wellspring of his Christian convictions. His detractors such as Ida Tarbell and other angry socialists do as much to burnish Rockefeller's reputation as his own good works.I was taught as a youth to "hate" the "Robber Barrons" (another totally fake Identifier of the original American builder/makers) and dismiss Rockefeller as an evil greedy man. I was lied to! I have a new and great admiration for this authentic and invaluable American hero- thanks to Chernow's book, and my trained critical thinker's discipline to consider the motive of all editorials.

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About the Author

Nikos Kazantzakis was born in 1883 in Herakleion on the island of Crete. He didn't start writing novels until he was almost 60 and completed his most famous work, Zorba the Greek, in 1946. Other novels include Freedom and Death (1953) and The Last Temptation (1954), which the Vatican placed on the Index. Nikos Kazantzakis finally settled in Antibes with his second wife, and died there from leukaemia in October 1957.

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Product details

Paperback: 352 pages

Publisher: Faber & Faber; Later Printing edition (August 4, 2016)

Language: English

ISBN-10: 0571323278

ISBN-13: 978-0571323272

Product Dimensions:

5 x 7.8 inches

Shipping Weight: 9.1 ounces (View shipping rates and policies)

Average Customer Review:

4.2 out of 5 stars

182 customer reviews

Amazon Best Sellers Rank:

#2,232,743 in Books (See Top 100 in Books)

Zorba is “The Most Interesting Man in the World” advertising campaign for Dos Equis beer reached back to Zorba for casting. He is a man’s man - muscular, musical, musing (but not too much) and a Lothario curls into a ball and snoozes at a moment’s notice. Rudyard Kipling’s “If” must have been echoing in Kazantzakis’ when creating his title character. Zorba certainly kept his head about him when others were losing theirs.I approached this book from two wildly uninformed angles. The first was from either having seen, or believed I had seen, the Anthony Quinn version of Zorba the Greek in the 1960s movie. A swarthy, swashbuckling Mediterranean was what I remembered. In high school I struggled through another Nikos Kazantzakis novel but remembered it as “great literature”.No matter how I came to it, Zorba is a wonderful, wonderful read with a story and characters which etch themselves into your soul. The narrator sets out on a journey to resurrect a mine on the island of Crete. Early on he picks up a companion- the older and far more experienced Zorba - to help run the mine. Sancho Panza step aside (check the reference).Zorba invades the narrator’s physical and psychological space. In their first meeting Zorba suggests he can work at anything - after all he has arms, legs and a head. Oh, and he can also smell minerals in the earth. And, a good thing since the narrator is headed to Crete to hire a crew to mine lignite.Zorba disrupts the narrator’s obsession with books. The spoken word, not just the written word, allow the writer/narrator to develop. Zorba’s lusts - food, work, sex - are as contagious as they can possibly be. The narrator doesn’t transform to become Zorba, he adapts to become a better, fuller version of himself.Kazantzakis provides plot, characters, and Buddhist ruminations. Indeed, Zorba the Greek was written when existentialism was in full bloom. (The author came in second by one vote in Nobel Prize voting to Albert Camus in 1957). Most existential writing is anxious, verging on desperation and ennui. Zorba the Greek is life - some triumphs, more tragedies with a constant movement forward. Change happens.

Peter Bien's translation is excellent. The task of the translator is no small task, and he nailed it. Such a poetic translation. Highly recommend. Really enjoyed reading this book. I spend about 2 weeks in Greece each year and studied on Crete, so this book was easier for me to understand than probably the average reader.

The Greek version of siddhartha or zen and the art of motorocycle maintenance. A more modern spiritual journey. As good if not better than the movie.

Perhaps it is just me but I found the new translation difficult to relate and follow. Apparently the previous translation 'adapted' the Kazantzakis' text from French to English (not the original Greek), with omissions of some of the non-reader friendly parts. I ended up comparing the first few pages of both of the translations and I decided to stick with that of Carl Wildman. There are indeed some omissions in the latter, though. For instance, Wildman text does not have a prologue, while the new version does; so on and so forth.

One wants to put Zorba in the pantheon of great literary characters, but it's not needed, Zorba has already strode there by himself with giant steps that no one book can contain, joining Huck Finn, Captain Ahab, Don Quixote, Scrooge, Sherlock Holmes and all characters that live beyond the writing. In a wharfside cafe Zorba on first sight asks the bookish narrator, who's trying to crawl out beyond the written page and open a lignite mine, where he's going. The narrator answers "Crete". Zorba asks "taking me with you". "Why what can I do with you", says the narrator. Zorba replies "Why!Why! Can't a man do anything without a why? Just like that because he wants to?" That's the narrator and reader's introduction to Zorba. Words of brash honesty that define Zorba. A sixty year old wiith the enthusiasm and eyes of a child. He is not full of life, he is life itself, a dynamo full of contradictions, gulping in every breath. In the narrator's words "A living heart, a large voracious mouth, a great brute soul, not yet severed from the earth." Every experience and every day is lived as new by Zorba. Drinking wine, Zorba suddenly asks "--whatever is this red water--. You drink the red juice and lo and behold your soul grows too big for your carcass, it challanges god to a fight." Zorba lives on after the book is finished, shaming hesitant half steps, as he strides through the mind.

Having been introduced to this wonderful book with the Wildman translation, I must say that I prefer it to Bien's effort. This new translation might be more accurate but it has a stop and start feel to it for me. I do like Bien's rendition of Madame Hortense though.

Almost as riveting entertainment as the movie!Suggest watching the movie first, then reading the book.Enriches the experience by providing a background.Poli Kala!

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Free Ebook The Great Betrayal: The Memoirs of Ian Douglas Smith, by Ian Douglas Smith

Free Ebook The Great Betrayal: The Memoirs of Ian Douglas Smith, by Ian Douglas Smith

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From Publishers Weekly

Smith, the white prime minister of Rhodesia who engineered the country's unilateral independence from Britain in 1965 and led resistance to the black majority until Zimbabwe was born of post-civil war negotiations in 1979, has written an unrepentant, heavily detailed account of his leadership. He proceeds from the posture that the black majority, significantly rooted in traditional culture, should be "gradually" brought up to "standards of Western civilization." He condemns outside countries that "arrogant[ly]" applied sanctions against Rhodesia and associates black opposition more with communism than nationalism. He claims that "our black people" had the best education, health, housing, services, etc. in Africa, not acknowledging the gap between white and black Rhodesia. He refers to black "terrorists" while downplaying the cruelties of Rhodesia's armed forces. Yet Smith makes some points. He offers inside details of negotiation, including pressure from South Africa. His title refers to the hypocrisy of the British Commonwealth, which imposed sanctions on Rhodesia while many of its other members were one-party states. And he reminds us that Zimbabwe's black-run Mugabe government has steadily flouted democracy. Photos not seen by PW. Copyright 1997 Cahners Business Information, Inc.

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Product details

Hardcover: 418 pages

Publisher: Blake Pub; 1st edition edition (June 1, 1997)

Language: English

ISBN-10: 1857821769

ISBN-13: 978-1857821765

Product Dimensions:

6.2 x 1.8 x 9.8 inches

Shipping Weight: 1.7 pounds

Average Customer Review:

4.1 out of 5 stars

30 customer reviews

Amazon Best Sellers Rank:

#1,428,770 in Books (See Top 100 in Books)

Totally readable, very believable. Good history of how the UK Governments of the time looked after their own interests and did not honour their word

Excellent copy of this work by Ian Smith. If you want some real historical insight, read this first hand account.

Great book. Rivetting reading covering the infamous past.

Anyone interested in decolonization should read this.

I read this book in a library edition. Wow, I was woefully ignorant of Rhodesian politics and the truly magnificent man, war hero, and political philosopher named Ian Smith. Based on what I had read in the news media in the USA during the 1970s, I formed so many false opinions and images of the Rhodesia-Zimbabwe debacle. What a sad, shameful story. Smith proved to be correct in the end. An imperfect democratic republic became an evil dictatorship by the 1980s and remains so. The behavior of the U.N., Britain and the Commonwealth was disgraceful during the long crisis following the Rhodesian UDI in 1965 (the first UDI from Britain since America in 1776!). Smith's book is a superb story of modern African, humanity's deadly obsession with race, left-and-right political hubris, the demise of both empire and Britain's moral authority, a look at the natural desire to follow one's own national star--and all with a very bittersweet ending.

This is an interesting bio from Ian Smith. He proves himself to be a man of high character--pragmatic, courageous, reliable, and a bit prosaic. He was a man who believed firmly in colonialism and in bringing the benefits of Western Civilization to primitive societies such as the ones in Africa. Unfortunately, Britain and whites in general had started to lose faith in the superiority of their civilization and pulled out of their colonial project, leaving white Rhodesians stranded to fight their own battle to save their country with those other "rogue" states, South Africa and Portugal. The British politicians favored communist terrorists over their own kinsmen.Ian Smith was a middle of the road conservative and really did not support racist policies in government, although he was a race realist regarding the abilities of native Africans. He believed in a policy of gradually giving blacks majority rule once they had been sufficiently prepared for a government system created by whites. That would require high rate of literacy that blacks did not have. African blacks' IQ has been estimated to around 70 by Richard Lynn. A lot of them did not even know what a constitution was. Even this policy would require faith in being able to educate blacks enough to be able to rule responsibly. As bad as white government can be; black majority rule is worse. Giving blacks majority rule in a democratic system will still make any country go into decline. It is not solely the Western system that makes for good government, but it is the intelligence and character of the best white people that makes for good government, if you can elect them. Once Mugabe and his cronies took the seats of power, they started using their power for their own selfish ends. Smith shows well how communists operate with their deceit, violence, and oppression. Smith did have high praise for African's tribal system of government, which he thought was better in some ways to the Western system.The British politicians were not much better. It seems whites use their higher intelligence merely to manipulate weaker parties in a lot of cases. Intelligence has to be wedded with high character for good statesmanship. I think Africa would have been better off with a white minority colonial government than it is with the black communists. Colonialism does require that if the natives violently resist, they must be put down or it will not be safe for whites to live there. Rhodesia had too few whites to be able to establish a white colony there, especially after Britain turned against them.Rhodesia was not an apartheid state like South Africa and they allowed anyone of any race to vote. Smith complained about the declining moral standards of the commonwealth saying that they allowed communist dictatorships with human rights violations to join an organization that is supposed to uphold the principles of democracy, decency, and fairness. British politicians were more worried about offending communist "allies" than letting Rhodesia become an independent country and lifting sanctions against them.Ian Smith loved his country and stayed there until his death and after it turned into the horrid Mugabe's Zimbabwe. There is no greater sadness than when a man loses his own country. It worries me that the U.S. may go the way of Rhodesia because the same thinking and forces are weighed against it, just as it is against all countries of the West. The outposts of the West have fallen, how long until the disease reaches the heart?The content of the book is dense with small type that stretches all over the page, making it a long read. Smith covers all his negotiations with the British. It can be a little boring at times. A politician has to have a lot of patience with endless talk that often goes nowhere and often leads to reversals and defeats.To Smith's detractors, I will say that you have to believe Smith's side of the story to think highly of him. I have not read any critical books about him and I am not expert on this part of the world.

This is the memoir of Rhodesia's last white Prime Minister Ian Douglas Smith, an individual that unquestionably loved his country and gave it the best years of his life. He clearly understood the difference between a responsible black majority rule government, that respected the rights of all minorities within Rhodesia and a communist trained and backed black majority rule government, that used terrorist tactics like mutilation and murder mainly against the black civilian populations, as a tool of intimidation for those unwilling to cooperate with their quest for a one party Marxist dictatorship.Rhodesia was betrayed by the British and finally by South Africa its main ally. The success and kill ratio of the counter insurgency operations by the security forces, were second to none, but by the end of the 1970's, South Africa was seriously tampering with this success by stopping, delaying, and retrieving their military logistical support and hardware, in an effort to force the Smith government to enter in negotiations and sign agreements that weren't in the best interest of Rhodesia.Smith understood the inevitability of majority rule since the early 60's when he signed the Victoria Fall agreement, but he believed in a gradual transition that could prepare a new generation of black democratic leaders, but we all know how this one ended, a surrounded and betrayed country was forced to its knees and deliver by its "friends" into the hands of the communist dictatorship of Robert Mugabe.

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Get Free Ebook Divergent Series Four-Book Paperback Box Set: Divergent, Insurgent, Allegiant, Four, by Veronica Roth

Get Free Ebook Divergent Series Four-Book Paperback Box Set: Divergent, Insurgent, Allegiant, Four, by Veronica Roth

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About the Author

Veronica Roth is the #1 New York Times bestselling author of Divergent, Insurgent, Allegiant, Four: A Divergent Collection, and Carve the Mark. Ms. Roth and her husband live in Chicago. You can visit her online at www.veronicarothbooks.com.

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Product details

Series: Divergent Series

Paperback: 2064 pages

Publisher: Katherine Tegen Books; Reprint edition (January 19, 2016)

Language: English

ISBN-10: 0062421379

ISBN-13: 978-0062421371

Product Dimensions:

4 x 5.2 x 6 inches

Shipping Weight: 3.4 pounds (View shipping rates and policies)

Average Customer Review:

4.5 out of 5 stars

44,478 customer reviews

Amazon Best Sellers Rank:

#3,774 in Books (See Top 100 in Books)

I'm just writing this to get this off my review wall. bought for my son.

This set includes the trilogy, along with the extra book titled, "Four". I actually recommend reading Four first. It's the comets set. My 13 year old triplet boys started reading this series in school. They couldn't stop talking about it, so I bought this series for them, and I even read it myself. It's very, very good. The movie is pretty good too; although, the books are a lot more detailed. I highly recommend this series. I would caution for younger readers as the two main characters have some heated moments. Nothing that heavy, but on the line. I wouldn't want my 8 year old reading something like that. I hope this review has been helpful for the parents out there. All in all.. Definitely a great series! A Must Read!

First off, I have to admit that it is difficult for me to rate this book without rating the series as a whole, so that is what I am going to do. It turns out I cannot review this series without comparing it to Hunger Games.There is a great deal of similarity between this series and Hunger Games. Teenage coming-of-age adventure story in a post-apocalyptic dystopian society. I could go further into the premise, but it really does not make much sense outside the context of the book.Again, like Hunger Games, I found the first book gripping and devoured it quickly. The second book did a good job of keeping up that pace.Then the third book comes up, and, once again like Hunger Games, it takes the "Us vs. Them" story and throws in "oh look, These Guys Too! Bet you didn't see THAT coming!" plot hook, and things go off the rails for me. The first two books seem to be building your hope for the characters and the world they live in and the ability for them to make the world better. Then they expand the world, and the third book goes about crushing your hopes of a happy ending.While reading the first two books, I was a little bummed that it would be over in three. By the time I was about a quarter through the third book, I was ready for it to be done. I was looking forward to Four during the first two books. After reading the third, I don't have any real interest in reading Four anymore.The real world does not have happy endings for everyone, but this isn't really about happy endings. It is more about building up these characters to great heights with the implication that they will usher in a new age. Then, it turns out in the end they are a cog in a machine in the end. Important, sure, but used to an end just the same. I would actually rate the first two books at five stars, but the third book is such a letdown that it brings down the whole series for me, and this book is useless without the other two. If you read Hunger Games and loved it, this scratches the same itch. In the end, I didn't hate it, but it lost a lot of luster quickly in the end.

I have to start by saying that watching the Divergent movie made me want to read the book. I really enjoyed the movie and I thought for sure there was more in the book. Movie goers didn’t miss as much as I had hoped.Beatrice is about to take the test that will determine which of the five factions she will go into for the rest of her life. The five factions are: Candor (the honest), Amity (the peaceful), Erudite (the intelligent), Dauntless (the brave) and Abnegation (the selfless). Each of the factions carries out certain job throughout the city. Those without factions do all the dirty work and have no rights in society. Born into Abnegation, everyone thinks she will stay in. On the day of the test, Beatrice learns she is Divergent. Fitting into not just one, but many factions. She chooses Dauntless and is told to keep her Divergent identity secret. In dauntless Beatrice renames herself Tris, and she is tested to determine who she really is. Her failure could leave her factionless. Her testing will reveal that she is divergent if she isn’t careful. Being divergent might just get her killed.I can’t believe how spot on the movie was. I could completely picture the scenes while I read this book. There were only a few details left out of the movie Divergent. This book was really addictive. Even though I knew what was going to happen, I couldn’t stop reading the story. There were a few interactions left out and we get a more in depth look at Tris’ struggle to leave Abnegation and her whole family behind. The development of her relationship to Four made much more sense in the book and he was instrumental in the end. We also get more of an explanation of Tris’ fears and why Four was so different from his peers when he graduated.I really enjoyed the character building, getting to know her friends and her fears. The author is able to draw in the reader right from the start. The location of this story is a dytopian Chicago. I liked the gradual world building in this story. The whole society is cut off from the outside. The idea that people are either of 5 personalities was really problematic for divergents because they have characteristics from more than one. The struggle to pick just one thing for the rest of your life is something a lot of young adults can probably relate to as they make career choices, so this story may feel close to home.

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