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Apollo's Angels: A History of Ballet, by Jennifer Homans
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Review
“The only truly definitive history of the most impossibly fantastic art form, ballet . . . an eloquent and lasting elegy to an unlasting art.”—The New York Times Book Review“A delight to read, massively informed yet remarkably agile . . . The story of ballet offers a singular perspective on the evolution of our culture: a fascinating mirror on the arts. Nowhere is this narrative told more amply and compellingly than in Jennifer Homans’s triumphant Apollo’s Angels.”—The Washington Post “Here is a book of immense ambition—a one-volume history of ballet—and of considerable accomplishment. Jennifer Homans, whom we know primarily as The New Republic’s provocative dance critic, shows herself to be both dogged and graceful as a historian—a rare and welcome combination of qualities.”—The New York Review of Books “Intellectually rigorous, beautifully written, brilliantly structured.”—San Francisco Chronicle “Magnificent . . . [a] monumental work.”—The Boston Globe“Each page of this luminous work delights, enlightens and beckons. Every dancer should live with this book, of course, but every person who loves literature and history, is word-struck and story-addicted, should give themselves a treat with Apollo’s Angels. Treasure this treasure.”—Jacques d’Amboise“This is a wonderful book about how ballet evolved. Written by a gifted dancer, Apollo’s Angels is dance history seen from the inside. The wonder to me is how much this accessible, beautifully-crafted book reveals about the times and places in which ballets were made; it makes culture come alive.”—Richard Sennett, author of The Craftsman “A dancer who is also a historian—who ever dreamed of such an improbable creature? But here is Jennifer Homans and her indispensable book. She puts the understanding of ballet on a whole new footing. Finally the delicacies of ballet have been restored to the indelicacies of history, and the art seems even more wondrous for it. Apollo’s Angels is an enlightenment, a remarkable feat of scholarship and sensibility, an affecting mixture of criticism and devotion, an intellectual joy.”—Leon Wieseltier
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About the Author
Jennifer Homans was a professional dancer trained at the North Carolina School of the Arts, American Ballet Theatre, and The School of American Ballet. She performed with the Chicago Lyric Opera Ballet, the San Francisco Ballet, and Pacific Northwest Ballet. Currently the dance critic for The New Republic, she has written for The New York Times, the International Herald Tribune, The New York Review of Books, and The Australian. She earned her B.A. at Columbia University and her Ph.D. in modern European history at New York University, where she is a Distinguished Scholar in Residence.
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Product details
Paperback: 672 pages
Publisher: Random House Trade Paperbacks (November 29, 2011)
Language: English
ISBN-10: 0812968743
ISBN-13: 978-0812968743
Product Dimensions:
6.1 x 1.5 x 9.2 inches
Shipping Weight: 1.6 pounds (View shipping rates and policies)
Average Customer Review:
4.4 out of 5 stars
88 customer reviews
Amazon Best Sellers Rank:
#269,604 in Books (See Top 100 in Books)
This is, in so many ways, an exceptional effort on the part of the author, Jennifer Homans. She organizes a vast amount of material in a lucid way and her prose is lively and entertaining. The history of ballet is laid out in a way that makes you want to keep reading. But I was tremendously let down, as a reader, to go through 500+ pages of ballet history and then end up in a ten page argument about the death of ballet. You mean I read through all those pages for nothing? There's no future at all in the art form? Why would Homans expect anyone to pick up and read her fine book if they didn't love ballet -- or at least were curious enough to learn more? And as ballet lovers, do we want to hear about how bad it has all gotten? Homans, of course, is welcome to her opinion and that opinion is one we need to honor. But anyone could argue otherwise -- that ballet is alive and well -- and that gets proven every time I see a performance. So why did her editors let her tack on this coda? Why not, at least, give some arguments from both sides?
I know ballet history. And I love dance. I expected that Apollo's Angels would be a pleasant addition to my shelves of ballet books and maybe add a few tidbits of information I did not know.But this book as so much more. It's written by a thinking ex-dancer who can put the history of dance into a philosophical and cultural context. I'm sure that at nearly every page I was exclaiming ``oh, that's why'' or ``now I know.'' I think her explanation of the origins of ballet in the etiquette and self image of the Sun King's court is the best I've ever read.I don't think I ever really understood the deep spirituality that underlies Balanchine's choreography until I read this book. It made me go back and spend hours watching videos of long-gone dancers on YouTube.I'd quibble over a few things. Why didn't she include Mark Morris for example? And what's coming out of China and Japan? And I'm not sure her prognosis about the future of ballet need be quite so glum.But at bottom, this book is a must for anyone who is halfway interested in the history of ballet, or, for that matter, the cultural history of the early 20th century. Thank you Jennifer Homans!
I started ballet late in life, in my sophomore year of high school. I had 4 left feet, was fat, and uncoordinated, so I had no aspirations to become a ballerina. I am currently 61 and still taking classes regularly. In my fortys I began to wonder and ask questions how ballet evolved. I asked my ballet teacher who was elderly and she said she didn't know of any books on the subject. I was delighted to hear the review on NPR radio when the book was first published. It was a tedious read for me because of all the detail but it was necessary to tell the story. As the book progressed into the 1900s it became more fascinating and relatable to me as I had witnessed Nureyev, Fontayne and others. It was fascinating to see where dance had come from, where it is now and maybe where it is progressing. Even my own preferences of dance are evolving. Thank you Ms Homan's for all of your hard work and skill to create this work of art in itself.
As others have noted, this is a comprehensive, exhaustively researched -- but not exhausting -- history of ballet, from its roots in the French courts of the 18th century to the present . Pretty much all of this was new and fascinating to me. Homans does a beautiful job of charting ballet's many rises and falls throughout the years, keeping it interesting and clear at every step. My only criticism would be the perfunctory and inconclusive way in which the book ends. Homans pretty much comes to no conclusion, leaving the reader -- this one, in any event -- hanging. She makes her opinions about the direction and future of ballet pretty clear, but after 500 or so pages, I expected a more measured summing up. It's as if your guide a long voyage has left you at a remote rail station and has said, "Okay you're on your own from her on out, good luck." Disappointing. Other than that, well worth the time and energy.
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